Showing posts with label Sun Ra Arkestra. Show all posts
Showing posts with label Sun Ra Arkestra. Show all posts

SUN RA Interviews & Essays. Editor: John Sinclair

SUN RA
Interviews & Essays

Editor: John Sinclair
Availability:
Not Yet Available

Format: Paperback
Size: 216mm x 139mm
Page Count: 256
ISBN-13: 9781900486729
Weight (g): 300
Genre: Music
RRP:

Available exclusively from headpress.com in December 2009. If you would like to be notified of its release, click here to send us an email. Write "Sun Ra" as the subject header and we will get back to you.

Composer, bandleader, pianist, poet and philosopher, Sun Ra is one of the most colourful and enduring of musical legacies, transcending time, place and cultural genres.

From the mid 1950s until his death in 1993, Sun Ra led "The Arkestra", an ensemble with an ever-changing line-up and name which sometimes numbered as many as thirty musicians living and playing together under the despotic tutelage of Sun Ra himself. Their music touched upon the entire history of jazz, from ragtime to swing, bebop to free jazz,while the band also pioneered the use of new forms, including electronic music, space music and free improvisation. But Sun Ra’s legendary status was earned as much for his eccentricities as for his unique artistic vision. Claiming to be from Saturn, he developed and propagated a mystifying sci-fi mythology which he weaved into both the music and Dadaist performances of The Arkestra (performances which inspired artists as diverse as George Clinton and MC5). His ideas are still the cause of much debate and controversy, the poetry and prose Sun Ra left behind only deepening the ambiguities around his work and ideas.

This book collects together for the first time interviews with Sun Ra, the people that knew him, and his contemporaries, alongside illuminating essays and conversational pieces regarding his prolific musical output, mystique, philosophy, fans and much more.

Contents:

1. By way of an Introduction by Peter Dennett
2. Sun Ra by Amiri Baraka
3. Sun Ra Visits Planet Earth by John Sinclair
4. It Knocks on Everybody’s Door by John Sinclair: Interview with Sun Ra, Detroit Sun, 1966
5. Cosmic Catalyst by David Henderson: Sun Ra in New York City, Oakland & Philadelphia
6. Word from Sun Ra by Amiri Baraka
7. Their Space Was My Place by Ben Edmonds: Sun Ra & the MC-5 at the Grande Ballroom, Detroit, 2009
8. Life Is Splendid by John Sinclair: Sun Ra at the Ann Arbor Blues & Jazz Festival, 1972
9. Interview with Amiri Baraka by Lazaro Vega, Grand Rapids, Michigan, 1999
10. I Know Everything You Need to Know About Music by John Sinclair: A Conversation with Michael Ray
11. Arkestra in Residence by Rick Steiger: Sun Ra & His Arkestra at the Detroit Jazz Center, 1980
12. Sun Ra Memories by John Sinclair
13. Twenty-first Century Music by Pete Gershon: The Sun Ra Arkestra under the direction of alto saxophonist Marshall Allen
14. The Great and Wondrous Sun Ra by John Sinclair: In Conversation with Wayne Kramer, London, June 2008
15. My Night as a Tone Scientist by Wayne Kramer
16. Cosmic Engineering: Jerry Dammers & the Spatial aka Orchestra / Part 1: Interview with Jerry Dammers by John Sinclair & Dylan Harding, London, 2009 / Part 2: Concert reviews by Paul Bradshaw, John Mulvey, Ian Harrison & Jack Massarik
17. Schwartzegeist by Sadiq Bey: Live from Berlin: The Sun Ra Tribute Project
18. Sun Ra: Myth, Magic & Music by Steve Fly Agaric 23
19. The Mystical Estate / Part 1: Standing in the Shadow of Sun Ra by Dylan Harding / Part 2: Interview with Haf-fa Rool by David Kerekes & Caleb Selah, London, 2002
20. Sun Ra on Film by John Sinclair & David Kerekes: The Cry of Jazz & Space is the Place
21. Sun Ra Obituary by John Sinclair: New Orleans Times-Picayune, 1993
22. Photos & Comics / Part 1: Sonny’s Last Song by Mat Colegate & Dan White / Part 2: Scrapbook
23. Contributor notes
24. About this book


EDITOR BIO: In 1969, the poet-provocateur, MC5 manager and White Panther John Sinclair found himself the victim of that decade’s draconian American drug laws, and facing a twenty-year jail sentence for the possession of two joints. The counterculture Sinclair helped create came to his rescue, however, when John Lennon, Stevie Wonder, Phil Ochs and others performed at a successful benefit gig to petition for his release. Since that epochal moment, Sinclair (whom Ben Edmonds calls the “hardest working poet in showbiz”) has travelled the globe with his beat verses and inimitable growl, performing with some of the world’s finest musicians. He interviewed Sun Ra in 1966.

SRS is for SUN RA SYSTEM

So, i just continued my research and writing about Sun Ra. Found some new sources and resources, and found myself asking more questions...
More mid-week, enjoy.

Love
fly...

Sun Ra Seed Transmissions: Sun Ra and Dr. Timothy Leary are similar cats working in some different mediums, but may have more in common than first meets the mind, the DJ thinks that Sun Ra’s concert for the Comet Kahoutek was another space-time experiment/event (resulting in an audio recording) in synchrony with Timothy Leary and Robert Anton Wilson’s experiences in cosmic telepathy – a recurring theme through Sun Ra’s work too, explicitly and interpreted musically.

I was listening to Sun Ra music when i first encountered Cosmic Trigger around 1996, and even made DJ mixes combining Sun Ra music and Timothy Leary words and gave them strange titles as the magician started experimenting with ideas from the book as interpreted through music. All in my bedroom, reading books only a handful of people had read and making strange experimental music with turntables, a reel to reel tape machine and a microphone.

“END OF THE WAR GAME.” William S. Burroughs. Electronic Revolution. Last words.

“But you got
Any Sun Ra records or DuBois books?
Otherwise
You gon die
With the murderers
& crooks.” Amiri Baraka. ´Words from Sun Ra.

A number of varied tribal cultures throughout human history have composed devices to track the Sun, Moon, and other celestial phenomena. Some mapped the seasonal changes, calculated calendars and some recorded solar and lunar eclipses, asteroid and meteorite showers. Many, structures on planet earth such as the Egyptian and Mayan pyramids show evidence of intelligent design and precise alignments to cosmological processes: sunrises, Solstices, moonrises, Equinoxes, moon sets, comet cycles etc. But what of the ancient languages of chanting, singing, dancing and spoken word used within ritual spaces opened up by shamans and wizards of harmony? When I wonder about a cosmological and/or celestial music i find the work of Sun Ra and his arkestra "key" to non-simultaneously apprehending the BIG question's about spacetime "outer-space vs. Inner-space" and the difficulties to communicating sensible messages about these things - things way out there - beyond language, pushing at the furry edge of the infinite donut omni-verse like a pair of puckered lips anticipating their double.

The Music, myth and magic of Sun Ra has enriched humanity with a cornucopia of experimental research data and psycho-archeological investigations into the social, psychological conditions and spaces we inhabit. I gravitate towards my ideal Sun Ra system - or network of ideas, as a sort of planet, or cluster of planets and gasses representing my thoughts and experiences, fly agaric 23 from another star system, this is how i would like to view the life and music of Sun Ra, by joining his cosmic-philosophy and ritual musical experiments together and looking at the from an outer-space view.

I first encountered Sun Ra as a curious disk jockey - having spent thirteen years coordinating sections of SUN RA music into some of my DJ sets and musical recipes. I give credit to both Kevin Gator and Keith Hopewell (Part2) for igniting my initial interest in Sunny, Afro-cosmic jazz and Black music culture in my early 20's. For me a combination of RAMMELLZEE’s Iconic Treatise on Afro-Futurism mixed with Kodwo Eshun’s book “More Brilliant Than The Sun: Adventures in Black Sonic Fiction” plus the electronic induced revolution taking root in the 1990's around the UK., spearheaded by many African-English DJ’s, producers, artists and some live musicians during the 90’s and into the new millennium, mostly from low income areas of urban Britain, this electronic revolution - sparked off by both drugs and computers in the hands of the a few creative people who used them to manufacture their own music, culture and scene, independent of the major labels and trappings of the vulture capitalist entertainment industry, making independent record labels, and locally supported enterprises.

And although the music hardly resembles anything SUN RA produced, the cultural activities surrounding the underground UK rave scene of the 1990's and the SUN RA SYSTEM meet, in me, and the memes oozing out from both of these musical phenomena have many criss-crossings that, in the UK - writers such as Kodwo and Simon Reynolds have documented. In the swirling blackness of audio SPACE the wisdom of SUN RA can reignite the humanistic and scholarly traits to SUN RA SYSTEM, and cascade into a new musical congress: musical beings and walking encyclopedia's of the cosmic wisdom of the spheres.

"To the makers of music — all worlds, all times" Engraved upon the Gold Disk bolted onto Voyager 1, now estimated to be over fourteen billion miles away.

As DJ Fly Agaric 23, i have my own biases and favourite myth stories - i guess a combination of the kind of Directed Panspermia theory devised by Sir Francis Crick with the Cosmic Schmuck principle of Dr. Robert Anton Wilson, inspired, in a musical and aesthetic sense, by SUN RA, whom i consider a balanced mixture between mask and anti-mask, self and anti-self, mythical being and historical personae. As a DJ it seems somewhat easier to escape into a cosmic pseudonym of galactic proportions, a great name, simply spinning joyful space noise from magical disks. Without theoretical explanations or historical context in the literary sense, it is easy to get lost in space, but SUN RA shows how to bind timespace and to bind space-time and make sense of them with new maps as recordings and performaces as metaphors.

As Acrylic Figa - another alter-ego of DJ Fly Agaric 23, i began to write and conduct literary based research into language and poetry, pursuing a 5 year long study of another SYSTEM of information called Maybe logic, as defined and described by Dr. Robert Anton Wilson, whom in my estimation voices the scientific philosophical counter-melody to the Joyful Sun Ra sounds and loads the Kosmic Trigger Figures and fires the fugues in/out of the heed.

I guess it would be through the trans-humanist and trans-personal psychology, and through the exo-psychology, exo-biology and cyberpunk ontology language of Dr. Timothy Leary that reads and feels to me, like the experience of listening and watching SUN RA and his Arkestra at play/work. Tim also had a cosmological/neurological "spacetime" philosophy including an exit strategy and space migration SYSTEM including relativity, in effect translating fields of scientific and humanitarian study into new languages, condensed and indexed exo-philosophy and trans-humanism, in accord with the new data, the research from outer space exploration and inner neuron-space exploration in 2009.

The equation “Space Migration plus intelligence squared equals life extension”, developed and intuited by Dr. Leary could be a helpful gloss or another lens through which to view the Sun Ra Myth Science SYSTEM and other cosmological attenuated music such as that of John and Alice Coltrane, and the modern, free and "out" jazz explorations that bloomed throughout the explorative 60's parallel with the NASA space programe.

“Maybe it's nothing
Aaah
Maybe it's nothing
What? What? Oh” -- Sun Ra. Revolution 9.

A SYSTEM to mean a system internetwork of interacting sub/disciplines, a nodal cluster of disciplines from across a broad range of cultural spaces and epochs, in Sun Ra, Leary and Wilson we might highlight the following recognized academic spheres of scholarship and the ability to connect historical individual and communal experience together, in TIME. History; cultural studies and gender studies; philosophy, aesthetics and semiotics; ethnology and cultural anthropology; archeology and prehistory; psychology and sociology; physiology and neuroscience; acoustics and psycho acoustics; computer/information sciences, theology, trans humanism, space migration, intelligence increase.

Add together the encyclopedic genius of John Sinclair, Amiri Baraka and other living cultural critics and collaborators of RA and you have a tidal force for cultural change crashing down and around you from all quarters, sweeping you up off your feet into the neurological torrent of myth/music and healing tones for motherfuckers too busy talkin shit on telephones to hear the future.

“The aim of this project is to build up a language in which certain falsifications inherit in all existing western languages will be made incapable of formulation. The follow-falsifications to be deleted from the proposed language." William S. Burroughs. The Electronic Revolution. P. 33.

Reshaping and juxtaposing 10001 songs/texts/memes together into the SYSTEM, radiating an original and coherent unity, like that of a whirling galaxy or human cell cluster whose branches of multiple meaning are a function of the experimental formulae and Futurist, Dada surprise donut coating.

Remy De Gourmont the great French spaceman and in particular his principle of the “disassociation of ideas”, seems to describe the peculiar perception of no normal sequence of events in SUN RA´s musical journey. Light and dark, tonal and atonal, asymmetrical orchestrations mixed, photons and electrons dancing - the push and pull of TIME - sucked through and spat out into acoustic spaces of euphony. Yes. The name game turns and the BE Bop Kabbalah begins, cypher sounds flowing like electricity, exploring the infinite combinations and ways to say something, life, love, melody, memory, yes.

The Tale of the Tribe might hint at A Tale of an Ethnic Group, as Ethnic Group and Tribe are somewhat interchangeable terms, in which case we have a complete system of tribal wisdom wrapped up in SUN RA and his Joyful Noise. A perfected model and SYSTEM of language, musical mappings, ritual dance, piercing poetry, sincere scholarship and heart stopping humour with which to compare and analyse other ART, from other cultures and regions of the planet earth, and to consider the limited resources and challenges overcome by the great Black American pioneers of this music and language the world has come to realize, was some of the gretest musical expressions of human life and the bombardment of information, light and sound that we all encounter and filter through our brain-body systems, ever created, in my humble opinion.

In his books “Sacred Drift” and “Irish Soma”, Peter Lamborn Wilson has extended the rather deserted landscape of intelligent Afro/Celtic historical, ethnographical research and brings a basis for further mythological, folkloric and ceremonial research into these furtive areas of post colonial humanities. Finnegans Wake by James Joyce - who listened to Louis Armstrong and loved Blues and Jazz music - provided another literary parallel to the SUN RA experience. History, etymology, cosmology, enthnocentricity, eccentricity, humour, counterpoint, numerology, alienation, escape from the socially sactioned norms' are the major points of intersection i perceive between RA and Joyce and Joyous Noyse. Cheryl Herr, of the University of Iowa writes...

“As First in America and then across the water, an affiliation between Irishness and blackness was honed in the Afro-Hibernian crucible of the minstrel show where Paddy and Sambo interchanged roles, created a matrix of longing that encompassed both the Irish lament and the Delta blues ("Irish Mornings" J.J, F.W.p50-53).

John Sinclair forwarded the memes of cultural transformation through unity of music and poetry and joyful noise, and has remained a literay and poetic gauge by which to help measure music, musicians and the cultural impact of music in the west, in particular the Black American heritage of Blues and Jazz in all it's varied forms. With the violence, tragedy and struggle woven in and detailed along with the triumph, epiphany and beauty of this musical revolution.

John Sinclair, Amiri Baraka and a frightfully small handful of other music writers and musicological poets and artists continue the current of balanced social feedback based upon extensive experience and practice in-the field working with the Sun RA family and band, for over 40 years in John´s unique case. 40 years yo!

Fela Kuti, John Coltrane, James Brown, Sun Ra, Robert Johnson, Theolonious Monk, Charlie Parker, Charles Mingus, these Jazz and Bluesmen re-plastered the face of modern culture, but have been almost whitewashed from censored history, i think, when viewed in comparison with other great American hero's, honoured with institutes, statues, foundations and schools of music.

But difference between music for social change, equality, intelligence and community cohesion compared with modern POP music - that manufactured mush of low information - for the most part another commodity for financial profit, titillation, celebrity kicks, extortion, sedation, cultural manipulation and enthnocentric racial and sexually exploitative purposes. The message becomes clearer now thanks to a few underground writers and critics still able to improvise their own thoughts and actions in a free way, breaking rules with a disciplined spirit of experimentation and knowledge and challenge the orthodox opinions about culture, heritage and humanity. Like that which Sun Ra radiated, the search for knowledge, trying new things and seeing the world through new eyes - questioning everything, especially authority.

“Now whatever you may be you are not an “animal”, you are not a “body”, because these are verbal labels. The IS of identity always carries the assignment of permanent condition. To stay that way. All name calling presupposes the IS of identity. This concept is unnecessary in a hieroglyphic language like ancient Egyptian and in fact frequently omitted. No need to say the sun IS in the sky, sun in sky suffices. .” William S. Burroughs. The Electronic Revolution. P. 33.

I would like to raise some questions in conjunction with SUN RA that i feel may lead to a better cohesive strategy within the new emerging global tribal communities, both the community in and around Birmingham, England - where i grew up - and the communities i lived and worked amidst in America and in Europe, and towards a new global cultural meeting including everybody to attempt something approaching the best face we can put on the notion of democracy.

  • * 1. Identity and the Individual relationship with the state. Who and where are you?
  • * 2. The language of class warfare? Class and language and the relationships to culture?
  • * 3. Mythological Archetypes and Cultural Memes, define yours.
  • * 4. Race, sex, ethnicity and history in whose language, script and code?
  • * 5. Tribal bonds, ceremonies, rituals and group communication activities, defined?
  • * 6. Who owns and who issues the means to distribution of cultural language and information?
  • * 7. How do cultural identities become so, the individual and state entity, and the alien?
  • * 8. What is your tale of the tribe, can you describe another?
  • * 9. How does joyful noise and music help communicate the tale of the ethnic group´s?

A few minutes spent reading into the life of Sonny Blount, and his transformation into Sun Ra will inform the reader about the social struggles, trials and ordeals he endured both physiological and psychological, that so many African American Jazzmen encountered, being on the front line of the violent and brutal assault on culture during the Nazi like medieval methods for social correction incorporating inhumane' punishment throughout the birthing of Jazz and Blues i n the United States. The openly racist targeting of Black artists, especially of the jazz persuasion outlines one of the unbearable pressures looming over many of these musical geniuses and cultural iconoclasts - some drugs, poverty, family, health, geographical locale', finances etc. It is against this backdrop of a Tsarist like tyranny and oppression of the creative and free individualism that defines ART in human beings, and against the constant struggle to get out from under the boot of ignorant authority that SUN RA bursts onto the world scene, and considering the racist historical period that he lived through he achieves a remarkable and exemplary transformation of the negative forces of hatred, intolerance, bitterness and perpetual warfare he witnessed - into a joyful noise of forgiveness - wisdom poetry and a new language of new beginnings, and moving on into the future - the creation of a musical ark upon which humanity can break free from any shackles and re-balance the equation once more, taking into consideration the other planets and dark star clusters, the great cosmos and outer galaxies, the void, the gas.

But there is no escape from himself, Sun Ra confronts the daily myth with the openness and sincerity of a Zen Monk, with adequate humour, repose, performance prowess - blurring the line between how your living and how your performing - making joyful noise and music his life blood and soul food - total communication and total immersion within the sound-scape realities and so becoming, overtime, through consistency of freedom: the physical embodiment of the sound, the poly-rhythm and melody. Reverse the process and you listen back to the music of Sun Ra and he lives within the music in a special and unique kind of way, the sound of disembodied shadows of a former world. Right there! in those spaces, yes.

“With regard to jazz, the l.p brought many changes, such as the cult of “real cool drool,” because greatly increased length of a single side of a disk meant that the jazz band could really have a long and casual chat among its instruments. – Marshall McLuhan. Understanding Media. P.282.


Sun Ra represented a 21st century being, living his life as though in far in the future, like in the world of Castalia created by Herman Hesse in the classic book Magister Ludi: The Glass Bead Game, where a kind of musical Chess language is performed as art over long periods of time, long enough to begin registering the movements of the cosmos. Sunny was not only living this way, but all the time composing, arranging, writing, radiating his swinging rhythm, melody, syncopation for the black nation.

Crafting tools for humanity to steer themselves and spaceship earth through the unknown black mass of probabilities ahead of us, swirling about us in all directions like helium, bringing a mischievious smile to every face connected to ears that can listen to the creeping wonder and mystical surprise of cheeky chops, menacing changes, violent waves of percussion, battering of drum heads all pouring out into space - all-at-once - intertwined and entangled bits of the totality, bits probably caught in your ear for a split second a split quarter note lingers, but TIME takes its course and winds down to a pulse, a base, a foundation.The Base, yes.

“This language will be a tonal language like Chinese, it will also have a hieroglyphic script as pictorial as possible without being to cumbersome or difficult to write. This language will give one option of silence. When not talking, the user of this language can take in the silent images of the written, pictorial and symbol languages.” W.S.B. TER. P 35.

Some sources and resources:

“Sun Ra visits planet Earth” John Sinclair. Its All Good. A John Sinclair Reader. Headpress 2008

Cyberpunks and Cyberfreedom. Dr. Timothy Leary. Ronin.

Word From Sun Ra. Amiri Baraka. Blacklistedjournalist. 2001.

The Illuminati Papers. Dr. Robert Anton Wilson. Ronin Press.

Understanding Media. Marshall McLuhan. University of Toronto Press.

Blue Notes, from Joyce to Jarman. Cheryl Herr. University of Iowa.

Ploughing the Clouds. The Search for Irish Soma. Peter Lamborn Wilson. Citylights Books.

Sacred Drift. Essays are the margin of Islam. Peter Lamborn Wilson. Citylights Books.
.
Rémy de Gourmont (1858-1915). French essayist, novelist, poet, playwright and philosopher.

“More Brilliant Than The Sun: Adventures in Black Sonic Fiction”. Kodwo Eshun. Quartet Books.

SR is for SUN RA:The Myth, Art and Music of Sun Ra v1.0

The Myth, Art and Music of Sun Ra.

By Steve Fly Agaric 23.

23rd’ March 2009.

“The myth is neither bad nor good, its potentials are unlimited.” – SUN RA.

Sun Ra hammered out a magical oath early in his life, he lived composed and performed mythmagic music, infinitely transforming performance Arts into a cosmology of performance magic once more, reclaiming outer-space and inner-space for humanity. Using his practical myth-science distanziare program he pioneered the changing of reality in conformity with will. Sonny led comprehensive rituals (songs) to seduce and propel humanity out from the repetitious death-trip of Geschịchten (history) looming over us, and help each individual attain escape velocity; launching oneself into the cosmos via music or - teleporting the cosmos into oneself via the profundity of apprehension. Sun Ra’s myth, magic and music are all parts of one ideogram, a new synthesis not merely separate subjects. A Languaging entity that emerged from menacing gaseous star clusters around Saturn to subvert the solar system and re-tune the cosmos with celestial feedback. Balance-sing the equation. Ching Ming: (to regulate the names and/or to define the correct term).

Evidence for his successful mythomagical methods and workings are found scattered into various multimedia artefacts, ESP phonograph disks, linear notes (spells), album artwork (maps), prose’ essays and cinematic light shows; languages to discover and reactivate sacra lingua. The ever changing name game waltz’s with the ever-changing nature of Sun Ra’s music ()and with the ever chanjing Tao. The disciplined band always display a bright attenuated sense of time division and/or duration - equazione del tempo – combined with simplicité of that mystery, all-at-once. A rounded counterpoint of sound shadows.

Mathematically precise astrological, processional, harmonic equations translated into neurologically modulated word-sound-image communications, distiling the Hermetic principle: So as above, so below; across the vibration-spectrum, so enabling magicians to assimilate objects in some sense, by feeling out they’re frequency, differential SPACE equations and Cosmic l'espace calculus, seduced into and beyond music where a cluster of galaxies are pulled down and formulated into practical edutainment γλώσσα (language): Dymaxion (dynamic maximum tension) music.

"I would say that it's black from the point of view that it's still got the darkness of myth. And it really pinpoints ancient Egypt in a definite way" -- SUN RA.

A master of vibration-states and music psychology, Sun Ra produced harm reduction musique for the sole', musica celestiale, shamanic healing frequencies, splicing disciplines into a moogical whole using the living multimedia star cluster laboratory (лаборато́рия ). Pushing language beyond definition, then pushing down a strange celestial road. Plushing music towords a sacred Key Splace; unlocking intergalactic gateways into tiny pyramid πλανήτης and mind.

"People have two harps in their head, their ears, just like a harp. They hear by the strings in their ears. If I play something very strange, then some strings that never vibrated before will vibrate. The whole nervous system will become alive -- SUN RA.

Sheets of sound falling like snowflakes from all quarters, a phalanx of languages unleashed, crashes of cymbal upon symbol in waves of μουσική (rhythm) run. Throwing sound and image onto the mind like Pollock’s paint particles at the canvas. Liturgical, clinical and comical all-at-once, like some writing of James Joyce; mantracode’ for humanity to unwrap using they’re neurological apparatus.

The energy runs straight and direct to the unknown sens du mystère, the hidden and secret crevices, somewhere else, out, way out beyond language but made of languages (). A space where truth and beauty wrestle within the angular valley’s of discord, in the musical nightmaze of dream- χώρος where Sun Ra dwells, at the edge of the Avant’ Garden, in the swirling mass of gases and forces that compose planet Saturn. "all art is a shadow of the Incarnation" said Marshal McLuhan.

Travelling omni-directionally from the inner horn χώρος into outer χώρος (space), maybe to Titan below your right ear, across to Jupiter at your crown or any other planet you think of within the infinite time-space contained within and without each of us. Sonny and his Arketsra’s demonstrated to us how to coordinate space-time and guide the skyrockets that lie barely inches behind our eye-sockets. Solfège flash-backs providing perceptions of simultaneities. Space-time () shuttles on a journey beyond stars. Listen again!

"When I say space music, I'm dealing with the void, because that is of space too... So I leave the word space open, like space is supposed to be." – Sun Ra.

James Joyce once said that the individual was eccentric and the state concentric - in this context - Sun Ra- tunes into Heliocentric worlds and arranges for eccentric improvisation, based upon the concentric foundations, a kind of cosmonaut-astronaut rendezvous. Synthesizer synthesis of mythology with practical magic deployed through a multimedia internetwork of things, feeding back diverse language fragments and gaseous traces into an artful congress (艺术). Constellations of sounds swirl beyond language, spiralling and curved - Le Sun Ra experience. A sort of inspired mathematics, which gives useful equations, not for abstract figures, triangles, sphère's, but équation'humaine; for approximating human emotions. Names of mystery, equazione del tempo, starry dimension...

The tantalizing album, song and band names devised by Sun Ra speak using the condensational methods and - juxtaposition - detectable in his musicare. These mini manifestoes show the alphabetical tip of an audio/visual iceberg floating somewhere nearby in ко́смос (space), the titles often reaching beyond γλώσσα (language) into numerology language, cabala and mathematical equations. Sonny’s poetry turns the reader’s head inside out, like the twisting music, a new meeting of familiar objects, but with a strange sense of something else in the misty distance, a rainbow and counterpointed shadows and shades of meaning 跳舞 (move rhythmically) about it, a return to splendour. Dressed in dime-store regalia crossing Philip K. Dick with “Things To Come” by H.G Wells; a parody upon the entertainment industry hustle in the twilight of the electric tribal futuristico.

"Most of the time the avant-garde looks so serious. . .They don't look like they're really having fun. . .I want people to laugh at the costumes I have on" -- SUN RA.

A total assault on the senses, a live audio abduction scenario and light assisted kidnapping of consciousness into the mythic realms and crevices of new espace. Ears are abducted by the shadow: echo’s of onde acoustique, deep forest calls, seductive polyrhythm’s that lurk upon African planes. Extended percussion passages take your mind on a marathon. Interpretive dancing matter (跳舞), singing and shouting matter reproduce sombunal traits of the tale of the tribe – of legend in some literature. Information = What We Cannot Predict (). Variations on deviations from interpretations of no fixed melody, comedy.

"Cosmic music is a place of tomorrow, it is the dimension and the balanced perspective of tomorrow It speaks to the worlds of the greater potentials awaiting the peoples of the worlds at every future point on every future plane. -- SUN RA.

Sun Ra identifies experiences by setting out the parameters of his Kunst so as to be able to take meaningful measurements and produce meaningful results to share. The question: Language versus the equation, spirals through the music like the double helix of DNA; “What planet is this?” “What planet is… this?” RETHINK. Surprising chants and tongue-fu riddles pitch questions and scenarios amidst the electric sound-tapestry all-around, a crisscross-world puzzle game, forcing the listener to put the words and symbols into the musical ко́смос (space) made freely perceptible. “What is life? What is death?” Sonny asks, while conducting times-pace using hand and body gestures.

"And yet i see beyond that point

For there is counterpoint and counterpoint

And counterpoint dimensions dimension

It is music like the music.........

The music swells to indescribable sound

Of mystic Everness Eternal Beingness

Chromatic Rhythms. -- Sun Ra. Of Days. Taken from the album Blue Delight. 1988.

RA’s great corpus of work highlights the often overlooked question of the sacred, what is it and how did it get that way? Magic Myth & Art? Musica sacra? Sun Ra balanced equations concerning complex questions – cosmic – in proportion, leading to the awakening of intellect and senses to conceive and perceive such questions.

“Now I got the Solar Arkestra, the myth science, and the astro infinity and soon I’ll have something else. Just like a University – I’ve got my different courses set up – and they deal with things that are gonna be beneficial to people –SUN RA.

Rhythmic illusionists, Copernican swing wizards, improvisational bards, sound shaman guides pulsing along African Egyptian furnished passageways to MU MU, Atlantis or Saturn’s moon: Titan, adventurers to the underwords inside of allmen. Each individual on stage animates the dance of shadows, makes them BOP with one another, transforming their apprehension of the cosmos. The Band acted like an invisible black college of occult jazz study, teaching and spreading knowledge, discipline, humour and precision through Art. “Illusion is a REVOLUTIONARY weapon” wrote William Burroughs (in The Electronic Revolution, 1970).

Sun Ra conducts thunder enlightening, playing piano demi-queue or adding solovox stylings and Clavioline craftsmanship while Hammond riffs rain down like shooting stars. Elo Omoe blows a menacing bass clarinet clearing the FOG with his horn. Atakatun, Odun and Chiea: 6 hands and 30 fingers on congas flowing like the Nile. Tommy Hunter finds percussion instruments to further coordinate river flows. Akmed Abdullah blows trompette romancing guardian angels into the stream. Billy Higgins and Earl Buster Smith trade batterie mathstrology under the stars. Philly Joe Jones and Clifford Jarvis float by with Marshall Allen aboard a sunship, orchestrating forces through courses of Van Allen bolts with flute, piccolo and alto saxophone calls. Noel Scot modulates spheres with an alto sax. John Gilmore cracking open the clouds with tenor sax, searing high, so high the birds gets dizzy and then that great bass boom. John Ore, from the Theolonious Sphere Monk spaceway swings the bass around the nodal axis, they dwell on other planets. Roger Blank and Robert Cummings drum and play the système solaire. Yes. Danny Ray Thompson, Michael Ray, James Jacson and those i left out. Early hard-bop structures melted like Dali's clocks’ into neo modal tidal pieces, with no fixed harmonic structure, free to change with seasoned eccentricities, the superimposition of one chord over another. Ply upon ply.

Sources and resources.

John Sinclair. Its All Good. A John Sinclair Reader. Headpress. 2008.

Wayne Kramer. My Night as a tone scientist. 2006.

David A. Martinelli. The cosmic-myth equations of Sun Ra. 1991.

Jim Macnie. Blue Delight linear notes. February 1989.

The Cantos of Ezra Pound. New Directions Publishing. 1972.

Wikipedia.org & Wordreference.com

THE SUN RA ARKESTRA & Timesplace.


"People have two harps in their head, their ears, just like a harp. They hear by the strings in their ears. If I play something very strange, then some strings that never vibrated before will vibrate. The whole nervous system will become alive -- SUN RA. (Sale 1987: 55, also Corbett 1989: 24).

Brought to congress by Sonny Bount (SUN RA),
A cast of vibrational scientists combine their instruments in new ways
Exploring inner and outer spaces.


"."The Others in Their World", "From Out Where Others Dwell",
"Moon People", "They Dwell on Other Planes".

Like the old hermetical saying, "As above, so below",
You may operate spacetime & skyrockets that lie
Barely inches behind the eye-socket.
Marshall Allen like an optical scientist,
A Dr. of Saxophany. Probing the frequency spectrums.

The 1950’s, 60’s and 70’s were the space-race years
SUN RA and his Arkestra were in the race,
Playing the musical Nemesis of the arms-race.
Life music in good time.
John Gilmore breaking sound & light boundaries
Thought previously to be, boundaries.
Iron birds fly from the horn.
Babbling brook and chattering river voices.
From the 65' Coltrane explosion, fragments linger
Like soft spoken Billie's echoplextasy.

July 28th 1969: John Sinclair’s bogus trial had been postponed,
Temporarily for the spectacle of the moon landing.
After the landing the judges sentenced John to 10 years in jail
For being - set up - with two joints by an undercover police
Robot officer.

"The Satellites are Spinning", "The Cosmo-Fire",
"Lights on a Satellite", "Cosmo-Energy", "Friendly Galaxy",
"Irregular Galaxy", "Space is the Place."


“Poetry is a sort of inspired mathematics, which gives useful equations, not for abstract figures, triangles, spheres, and the like, but equations for the human emotions” –Ezra Pound.

SUN RA's interpretation of SPACE, TIME, TRAVEL,
MUSIC, JAZZ, PHILOSOPHY, ASTROLOGY,
MAGICK, POETRY, LANGUAGE and
INTER-PLANETARY ECONOMICS have stayed NEWS.

Most of the evidence is time-binded into various artefacts,
Records (ESP DISKS) books, linear notes of poetry
Scattered about earth for humanity to discover and reactivate.
Dark star Danny Davis Alto Sax. The great
Pat Patrick blowing vortex about clarinet.

I admire Sun Ra for openly embracing the Full Blown Myth
And living his life according to his vision.
RA made a magical oath and transformed himself using a new program.
Changing reality in conformity with will as empowered by musical
Instruments, new methods, languages, symbol systems and
Hermetic-cosmological data.


"Sun Ra asserted that the ever-changing name of his ensemble reflected the ever-changing nature of his music." http://en.wikipedia.org/wiki/Sun_Ra


The relatively inexpensive, open source research that Sun Ra
Conducted benefitted the whole tribe.
Sun Ra was manifesting hyperdimensional physics equations
Using the stage as his living laboratory and timesplace.

Sharing scientific results with humanity via the language of music,
Hieroglyph and poetically attenuated alphabet "word"
NASA has no music and so not much chance of reaching the stars IMHO.
Like SUN RA, scientific methods for intergalactic shifting.
Atakatun, Odun and Chiea 6 hands as 24' on congas.

My own experimentation with music and altered states
Of awareness quickly led me to the music of Sun Ra,
John Coltrane, Miles and other exciting recordings
From the legends of the jazz idiom.

I was a late bloomer and missed the original scene, by 30 years
Influenced by the book - More brilliant than the sun by Kodwo Eshun
Kindly lent to me by a DJ and Sun Ra fan: Kevin Gator.

"Imagination", "Enlightenment", "Strange Dreams",
"Rocket Number Nine", "Journey Among the Stars",
"Moonship Journey", "We Travel the Spaceways",
"Strange Celestial Road",

Other sufficiently connected musicians exhibit
An equal mastery of healing Vibrational states
And musical moderated psychology -

Coltrane, Monk, Alice Coltrane,
Pharoah, Miles, these artistic spacetime explorers are
Distinguished from NASA's rocket propulsion technologists
And their use of mathematical trajectories,
Directed for the outer-space walking missions,
That cost Billions of bio-survival tickets and yet,
Produce no music, literature or new space philosophy.
Billy Higgins and Earl Buster Smith on drum-mathstrology

"I would say that it's black from the point of view that it's still got the darkness of myth. And it really pinpoints ancient Egypt in a definite way" -- SUN RA. (Burks 1969: 17).


Like many breakthroughs before their time
SRA was largely ignored, mocked and misunderstood in his own time.
Treated like Finnegans Wake by James Joyce as being "obscure".
A Chaosmos of languages voicing spirits
All-at-once. Throwing sound and image onto the mind.

Jazz meets “free jazz” “sound Art” “experimental music”
“Cosmic Jazz” Cosmic! The Sun Ra Arkestra owns the term "cosmic music."
Used here to denote: scientifically speaking: Astrologically
& harmonically - Neurologically - modulated communications.
Ruth Wright as Earth mother. Soft screams and Primal scream.

Jazz of the spheres. Black Timespace Jazz, make it new.
Changes...Sun Ra and His Arkestra dedicate their lives to
The musical magickal ARTs
Their music deserves a deeper look,

A band of psychonauts aware of each other
And fully conversive. Each instrument and human being
Open at al times. Conversive.
In a state of extra sensory awareness,
Growing new ears on stage in front of the world
Tommy Hunter makes a jungle and a skyscraper
From percussion instr...

Open-source musical offerings of wild discipline,
Shamanic ritual chants and intonations, song and spoken word.
As John Sinclair asks -
“What is Jazz, but spirituals played through horns, piano’s”
Don Cherry, Philly Jo Jones and Archie Shepp make
HIROSHIMA HIROSHIMA!

"Most of the time the avant-garde looks so serious. . .They don't look like they're really having fun. . .I want people to laugh at the costumes I have on" -- SUN RA. (Macnie 1987: 62).


“Which form’s of alternative scripture seem apropriate
For the 20th Century and which for the 21st?“ RAW.
To switch the scripture with music we might then ask
Which forms of alternative music seem most appropriate
For the 21st century?


"Irise, Osirises!" James Joyce, Finnegans Wake Pg. 493.28.


In Literature, and the painted word (ART) and so
ART theory? huh. The only model of choice choice, for me -
Finnegans Wake by James Joyce, and its hologramic form of
streamed self-replicating imagengines structural correspondence with
The "free" "Modern" jazz music of John Coltrane,
Ornette Coleman, Eric Dolphy, John Gilmore, Marshall Allen.
Don Cherry, and so Bird, Lenny Bruce and Lester Young
And on...

"Cosmonaut-Astronaut Rendezvous", "Walking on the Moon",
"Space Shuttle", "When Spaceships Appear",
"As Spaceships Approach", "Journey Stars Beyond",
"Journey Towards Stars", "Journey Outwards".

Furthermore, the Joycean chaosmos of language,
Symbol, sign, pun - spilling out from all parts of the page like perfume
Are arguably comparable with the swirling mass of
Encyclopedic and self-prophesed UNIVERSAL languages
That was the SUN RA ARKESTRA
A new Afroblack Languaging Entity
An Awakening in every sense of the word.
Word-Sound-Image.


“Do people who think "ideogrammically" develop different "brains" than people who think alphabetically? Bucky Fuller and Pound agree with Fenollosa that they do. What do you think?” -- Dr. Robert Anton Wilson. The Tale of the Tribe.


“What planet is this?” “What planet is… this?”
Questions weaving riddles within the dense cloak of
Sound-art like a musical crossword puzzle.

Art, art, surely this is art music, nothing, virtual made flesh
Sheets of sound coming from all quarters.
Infra red to ultra violet. Flashes of horns and heads and regalia
Crashes of cymbal upon cymbal upon symbol.
Roger Blank, and Sun Ra and Robert Cummings drum
The sun myth into the earths atosphere.

Nothing is! so, now,
“What is life? What is death?”
Listeners must rethink for themselves.
The energy runs straight and direct to the mystery,
The unknown – beyond language – places of truth and beauty
The dark Myth, dark magus, the angular regions of dischord,
The nightworld, the sacred dreamspace
Where jazz often dwells

Differential SPACE equations and Cosmic calculus,
Cymbol systems and vibrational codes decoded.
– into the symbols and signs - SUN RA and his Arkestra
Cutting the edge off Avant Garden

It pays to listen to the records more than twice,
Tune into the fantastic conversations between the band,
Their music and their environment.
Out of nowhere!

Vast expanses, Cosmic Chaos, opening up
Seemingly in all directions at once,
Cracking open under foot, like
An atomic detonation under the ground.
Sun Ra Thunder enlightening.

"Nubia", "Africa", "Watusa", "Aiethopia",
"Yucatan", "India", "Overtones of China",
"China Gates", "Ancient Ethiopia"."Ankh",
"Ankhnaten", "Pyramids", "Tiny Pyramids", "Pharoah's Den".

A Musical detonation of language and counterpointed
Fragments. Spezzazo. Splintered.
The word & image shot in all directions
Out through the horn and sent spinning off into hyperspace
Toward Saturn below your right ear.
To Jupiter at the top of your crown
Or any number of planets in the Omniverse within and without.


"Cosmic music is a place of tomorrow, it is the dimension and the balanced perspective of tomorrow . .It speaks to the worlds of the greater potentials awaiting the peoples of the worlds at every future point on every future plane. -- SUN RA. (Burks 1969: 17).


Words gone in and out the horn.
Instruments as word processors write encycopedias
And epics for earth people caught between two worlds.
The Arkestra graceful as a Japanese NOH theatre group
Elo Omoe blow bass clarinet as a FOG horn,
Clearing air, clearing.

A future circuit, looping, building semiotic links
Like a pre-historic search engine of jazz scholars.
Blending intention and music toward void. Null.
Nothing Is.
Something else.
Your guess is as good as mine.

The phalanx of musical languages unleashed
By SRA approximate the sound of all-at-once-music.
Omniversal as Finnegans Wake. Beautiful chaos.
With mind like qualities. Like Elliot Levin.
Like the word-sound-word of Elliot Levin!


“I finished the sirens chapter during the last few days. A big job. I wrote this chapter with the technical resources of music. It is a fugue with all musical notations: piano, forte, rallentando, and so on. A quintet occurs in it, too, as in the meistersinger, my favorite Wagner opera.” – James Joyce


Through the 19th Century American Orientalist
Ernest Fenollosa & then Ezra Pound later picked up on
And expanded somewhat upon this all-at-onceness,

Pound – by way of his IDEOGRAMIC METHOD,
Achieved a higher condensation of information,
Through his new methods, and with the help of his friends,
Humanity received new thinking and processing tools.

Sun Ra and His Arkestra have a similar affinity
With this process of condensation.
Pound and Joyce developed a whole new styling.
Marshall Allen styles the forces through courses of Van Allen Bolts.

Like the way Charlie “Bird” Parker
Made a whole new pattern recognition. A new discovery,
A new styling in music, which others would soon use.
And copy and reclaim.

Jump to John Coltrane and his new ways of connecting,
Condensing and reinterpreting the language of music - further.
Folded standards upon braodway hits upon folk tunes and spirituals
Packed into tighter and tighter packets of information.

Akmed Abdullah blows Trumpet, Noel scot alto sax, John Ore
Swings the bass around the axis, they dwell on other planets.
Entire Albums of what might pass for music in 2009
Are played within just 7 or 8 seconds: balanced equations
On the fly.

Such giant encyclopedic and epic
Imagengines of musical geniuses:
Theolonius Monk, Charlie Parker,
Miles Davis, John Coltrane, Sonny “SUN RA” Blount and his Arkestra.


SUN RA: “When I play I sometimes use “Myth science” – I’ve got some songs that come under that – and then I had some under the solar Arkestra… and then I got the Astro-Infinity – and all of them mean different things to me.

JOHN SINCLAIR: Other Planes of There…

SUN RA: Yes…all of them are based on those other planes, I think people need them now. They should be trying them out, see what’ll happen. In fact they’re gonna have to – because I might be on Jupiter or Mars by then. Because I’m not stopping my program. Now I got the Solar Arkestra, the myth science, and the astro infinity and soon I’ll have something else. Just like a University – I’ve got my different courses set up – and they deal with things that are gonna be beneficial to people –SUN RA. John Sinclair Interview. It's ALL GOOD: A John Sinclair Reader.


"In 1948, he performed informally with a trio consisting of Coleman Hawkins and violinist Stuff Smith. In this year he also made his recording debut with Eugene Wright and His Dukes of Swing, with a group that also included Yusef Lateef. Other activities in Chicago included playing with the Red Saunders band at the Club deLisa, and engagements at the Grand Terrace Club. In the early 1950s he led a nationalist group and began printing and distributing his own pamphlets. -- http://www.ethnomusic.ucla.edu/staff/martinelli/Sun%20Ra.htm


SUN RA makes more sense in the world of internet 2009 that he did in the 1960's.

JO is for Jazz Octave

Acrillic Figa

Blue thunder thumbs half notes,

Weeping willows look all

Wes Montgomery.


Art Blakeys drums of experience,

Stix glossinging to

Animal skinheads.


Like a Taoist typesetter

Thelonious fingers -

Do the talking.


Hornet Coletrane Ellington

Fitzgerald Pharaoh

New jazzera.


Annalivia Elvin Jones

AfroJazz machine setter

Smiling physicist.


Unified field theory or just sheets

Of sound?

John Coltrane = physicist.


Alice Coltrane - timetraveling

Mother Harpist,

Mythological scholar goddess.


Kept Reel McCoy -

Ravi Pharoah Moffet

Harland - theology goods.


Inside the wheels of funk -

Sissy strutin spun

Clockwork -

Meters reformation.


ESP direct sustained Magus

Miles ahead

Above, and beyonder.


Potting string theory quilted with

Jolly Grant Green

Fields og gold.

Charlie Bird, Donald Byrd

Playing babyskyblue spells,

Birds flew far and




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